Three Chorales for Solo Marimba Vol.1

Three Chorales for Solo Marimba Vol.1: each
Composer: Oetomo Robert

Title: Three Chorales (vol. 1) Composer: Robert Oetomo Instrument: marimba Genre: classical Year of publication: 2012 Duration: YouTube performances: Amy: https://www.youtube.com/watch?v=6l7HMJL1RgE&feature=relmfu Timeless Sorrow: https://www.youtube.com/watch?v=tYf5NElmDTk Review (Percussive Notes, March 2013) It is interesting to see the progression of this young composer through these three chorales that are intended to “explore the colours of the 5-octave marimba in the low to middle registers.” Created a year apart from one another, the distinct mood of each is paired with thoughtful compositional inspiration. While chorales present unique technical challenges, such as achieving a smooth, sustained quality, the biggest obstacle for most will be gaining comfort with the interval of a ninth in the left hand. The first chorale, “Amy,” is centered in A major. Thematic material was developed by a system pairing letters in the English alphabet to the pitches used in western notation. This expressive chorale is more uplifting than the others. Consisting almost entirely of rolls, I am reminded of Emmanuel Sejourne’s “Nancy” at times. Changing to a darker character, the second chorale, “Timeless Sorrow,” is more regular in rhythmic and metric structure. This allows the harmonic progression, inspired by Tchaikovsky, to stand out. Originally scored for chamber opera, the final chorale, “Postlude: An Aftermath,” deals with the tragedy of suicide. Performers will have little difficulty interpreting the character, as the composer includes very descriptive expression markings such as “With despair and devastation, extremely desolate,” “With tension,” “A sense of false hope,” and “Much slower.” With each chorale containing 50 measures or less, advanced marimbists can use this collection as a quick way to refine their chorale playing. —Darin Olson Three Chorales (vol. 1) Three Chorales (vol. 1) is a collection of my earliest works for solo marimba. The chorales were composed in three consecutive years from 2008 to 2010. They were conceived as an experiment to explore the different colours of the 5-octave marimba in the low to middle registers, but also with technical challenges intended. Amy is the first of three chorales composed in 2008. It was a gift for a good friend of mine, Amy Putt, whom the work is also dedicated to. The work is in three sections; A, B, A followed by a codetta. I have created and used a system to match the English alphabet (26 letters) with the pitches used in western classical music notation. Section ‘A’ is based on her first name and section ‘B’ is based on her last name. Composed in 2009, Timeless Sorrow is an expression of my emotions going through a difficult time in my life. The opening harmonic progression was inspired by the first movement of Tchaikovsky’s Symphony No. 5 in e minor, Op. 64 . The funeral march feel to the work reflects aspects of Mahler’s symphonic writing. In a way, the harmonic writing of this chorale is quite symphonic due to the inspirations that were drawn by for this work. Postlude (An Aftermath) is the last of three chorales composed in 2010. The original instrumentation of the work is for orchestra, composed for the final scene of my chamber opera. The final scene of the chamber opera is of a male contemplating taking his own life away in his bedroom, and finally doing so. The reoccurring theme gives the feeling of slight hope, false hope, and eventually hopelessness. All notes (except for notes with tenuto in Amy) are to be rolled with soft mallets. Robert Oetomo Credits Front Cover graphics and layout: Evi O. (www.evi-o.com) Photo: Hari Oetomo Engraving: Robert Oetomo & Johan Svitzer Printed in Copenhagen, Denmark Copyright © Edition SVITZER