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5 Studies for Marimba: each Composer: Jorgensen Klaus Ib
Jorgensen expertly weaves the first study around a low F-sharp pedal tone in the left hand while the right hand slowly develops contrasting material. The second study's roots are a chorale-like foundation that elides into running passages that eventually diminish. In contrast, tempo changes and presto 'senza misura' statements sectionalize the third study, whilt the fourth study is more linear. The final study is the shortest of the collection and, through a quick double-lateral motive, brings the composition to its conclusion. '
--Mark Ford, Percussive Notes, December 2007.
